Show runs Dec. 11 – 20th
Images: from top
'China II', Jason Messinger
'A is for Artichoke', Marya Veeck
'Live Now', Jason Messinger
Artists and Artisans living and working in Chicago
Recently viewed at a open-studio reception, Alan Emerson Hicks' new body of work combines the repetitive process-driven traditions of such fiber-art forms as basketry and weaving, with the 'new materials' movement of contemporary art to use non-traditional material as the art medium. The artist focuses on the plastic left-overs from our endlessly consumptive society. In the Safety Tower series, he takes the most innocuous of items, the 'safety rings' that are now attached to the bottom of bottle caps to deter and detect tampering, and transforms them into elegant towers of sublime shapes, evoking the basketry traditions of many cultures, but also pointing to a uniquely modern convocation of consumer culture.
In "Chipped Vessel", Alan Emerson Hicks takes used potato chip and other snack bags, and, with fishing line and cable ties, transforms them into rings that again create tower-like forms of subtle complexity and beauty. The seeming weakness of the material is turned surprisingly resilient, somewhat like Buckminster Fuller's famous geodesics. The same alchemy is performed with trash bags in the "Baghdad Tower" series, creating droopy stalagmite-like forms. 










"While exhibiting at various venues, the Chicago-based 3-D 12 artists have identified their commonly held environmental interests and concerns. Their personal perceptions on the issue cover as broad a range as their materials of choice. Decomposed lost and found objects, recycled plastic and metal, salvaged scrap wood, earth and water are some materials which are effectively reconfigured to translate their ideas into physical forms. The sculptural works take on subjective and collective meaning to contribute to a genuine meta-landscape."
The 3-D 12 artists are: Shelley Gilchrist, Peter Gray, Alan Emerson Hicks, Ruyell Ho, Beth Kamhi, Jim MacRoberts, Bill Moll, Mimi Peterson, Robert Putnam, Eric H. Steele, and Michelle Stone.
Photos:
top: new work by Alan Emerson Hicks, plastic, 2009
bottom: new work by Beth Khami, ceramic, metal, 2009
NOW Sculpture, featuring 3-D 12
June 19 - July 26
South Haven Center for the Arts
600 Phoenix St, South Haven, MI 49090
(269)637-1041
NOW Sculpture @ South Haven Arts
South Haven Center for the Arts
http://SouthHavenArts.org/
On behalf of the Hyde Park Art Center's 70 days for 70 years anniversary, Darrell Roberts will be leading people through the Cornelia Arts Building studios. Fourteen of the forty artist will have their studios open just for you on Monday June 8th, 2009 at 6pm. Meet on the steps of Cornelia Arts building located at 1800 W. Cornelia and we will start on the first floor and guide you through the building's first and second floor studios. We will be viewing the spaces artist work in while seeing how they work and what their latest creative creations are.
This event is FREE and open to the public. You may bring guests.
Participating artists include:
Jason Messinger
http://jasonmessingerart.com/
Tiffany Stonsky
http://www.stronskyart.com/
Kevin Swallow
http://www.swallowstudios.com/
Doug Frohman
http://www.dougfrohman.com/
Scott Simons
http://scootstudios.com/home.
Fraser Taylor
www.frasertaylor.com/
Johannah Silva
http://www.johannahsilva.com/
Doug Birkenheuer
http://www.
Beth Khami
http://bethkamhi.com/
Darrell Roberts
http://darrell-roberts.com/
Emily Roynesdal
http://www.roynesdal.com/
Jeff Bryner
http://www.jbryner.com/
Nancy Charack
http://www.rounderstudio.com
Basia Krol
http://barbarakrol.com/

Pirri references the sculptural and vessel-form vernaculars of many disparate cultures in her worldly women. Evoking the past through the uses of fragmented forms and rich surfaces, the women are vaulted into archtypes of noble strength and timeless beauty, like the venerated icons of a goddess cult, or portrayals of a long-lost empress-queen. Ceramic is a medium paradoxically having both seeming fragility as well as a lasting durability that can outlive the cultures that produce it. By harkening to the forms of the past, Nancy Pirri gives her own work the durable strength and the regal power of the best examples of classical sculptures and vessels.
'Serene La Femme' ~ Celebrating the Female Form
This collection of work is a contemporary twist on the timeless beauty of the female form as a muse, featuring innovative techniques in platinum photography by Ted Preuss, ceramic methods and figurative sculpture by Audry Cramblit and Nancy Pirri, and paintings by Mary Qian.
Show will exhibit for 10 days.
A percentage of sales will be donated to Chicago’s Union League Civic & Arts Foundation.
Where: The Palette & Chisel ~ 1012 North Dearborn • Chicago, IL 60610 (map it)
Opening Reception: Friday, May 29, 2009 • 6 to 10pm
Open House: Saturday, May 30, 2009 • 1 to 6pm
Closing Reception: Sunday, June 7, 2009 • 2 to 6pm
UnTwelve Concert: Saturday, June 6, 2009 - 8:00pm ~ UnTwelve ensemble featuring special guest guitarist Dante Rosati.







male gaze into the idealized forms of childhood. Inspired by Pop art and consumer culture, Julie Wishmeyer shares a vision that is singular and inspired.
Or follow her Blog: Annes Art Blog


ng energy and spirit infusing all life. The artist's method begins by making a richly painted scene on canvas. Then he covers sheets of thick watercolor paper with paint and cuts them into hundreds of pieces which are layered onto the original painting, glued down into a vision of vibrating colors and pulsating forces. These mosaic compositions evolve with organic abandon, and show a fierce intensity of passion and energetic expression. Kuhn renders immediate and visual what is ultimately eternal and immaterial.
array of differing papers, then cuts and assembles them into complex tapestries of pattern and structure. With embroidery thread stitched joints, and organically and complexly shaped edges, these very large-scaled two-dimensional pieces convey an astounding multidimensional surface. The work switches rapidly from seeming vast vistas and aerial views to depictions of the tiniest decorative fringe. Developing themes from his continuing series of oil paintings, these works reference architectural and natural motifs, along with the traditional and decorative arts of many cultures, and point to the pictorial graphic renditions of preliterate societies. Astounding in their complexity and extremely stimulating to the eye, Master's work is at once beautiful and rich, and is both vast and intimate.